A student's look into the world of cinema and all its elements.



Sunday, June 24, 2012

Brave Review


Merida Shooting an arrow in Brave

Brave
  
C+

A review by Frederick Cholowski

I begin this review by asking one simple question, what’s going on over at Pixar? After the mess that was Cars 2 one would expect them to bounce back and return to form in their newest original film. Unfortunately Brave is anything but a bounce back for the studio as it’s a generic, formulaic mess of an animated film that is a crushing disappointment.

Brave follows the story of a young Celtic princess Merida (Kelly Macdonald) who is at odds with her mother (Emma Thompson). This is because despite her best mother’s wishes Merida does not want to become a princess nor does she want to marry one of the tenants of the many sometimes at odds tribes ruled over by Merida’s father (Billy Connolly). Merida wants to defy tradition and become a more independent warrior type woman and sets out on a small adventure that ends up finding her in deep trouble.

The main problems with this film are its narrative flow and characters. First off the film is lacking something story wise; it’s choppy, rushed and feels only like a skeleton to a potentially better story that if it had more depth could have worked. The story is incredibly predictable and the usual Pixar heart, like in Cars 2, feels unnatural and forced. This could be partially due to the fact that the main character is really bratty and annoying. Merida never comes off as strong or independent but instead feels like a character that just doesn’t do what she’s suppose to because she is spoiled by her father. This makes it very difficult to latch on to the character that the whole entire film revolves around, which is a large problem.

It’s also sad because the voice acting crew is great with what they’re given. Kelly Macdonald, despite the over the top accent, is a fantastic fit for the role she is given and does a great job with what characterization she is given. Same can be said for the supporting cast of Emma Thompson, Billy Connolly and Julie Walters amongst many, many others.  It’s sad that most of the characterization is so thin, making most of the supporting characters very close to caricatures with no depth.

If there is anything that Pixar nails in this film is the beauty of the animation. The film looks absolutely dazzling with its darker color palate and vibrant landscape. The film really does visually transport one into this world with many of the film’s best moments coming in the visual department. The score’s great with for the most part bigger bombastic tunes that help shape the landscape even more. Overall even when the writing is faltering Pixar still keeps up its immaculate visuals and audio.

Before wrapping up the review I would like to mention if there is one reason to pay and see the film is to view the amazing short before the film called La Luna. The short film still gives me hope that Pixar can bounce back from its slump of late. It’s everything that older Pixar films had heart, joy, emotions, and magic. This is the Pixar that needs to come out in their next film instead of the one that is present in the actual main feature itself.

 As I said when I reviewed Cars 2 a year ago Brave is not a terrible film it’s simply average and disappointing. It’s a mess of a narrative with little flow and a character with little likability that ends up feeling like a second rate Disney Princesses film instead of the magic and ground pushing films of Pixar’s past. Anyways all I can do is sit, wait, and hope for another year that Pixar’s next film Monster’s University will be the one that breaks them out of their now two year long slump.

Saturday, June 23, 2012

Top 5 films that have some relation to birthdays


Top 5 Birthday related films

A celebratory list by Frederick Cholowski

So having just recently celebrated another birthday I decided I needed to have a little fun. So after the extensive research of about an hour and a half I have put together the top 5 films that have something to do with a birthday. Here are the rules of this list:

1           1.The movie has to be good (duh)
2           2.I have to have seen the movie (duh #2)
3           3.The movie must dedicate at least a scene to the birthday (not a brief passing comment, but if the birthday is mentioned in an extensive conversation but it is never seen it also counts)
4           4.Only one Christmas movie aloud (it’s already kind of cheating to have one so anymore and it would be extreme overload)
 5.One movie per franchise (series can be grouped together if I so choose)

Keeping those rules in mind here are the top five birthday related films. You may be slightly surprised at some of the ones I’ve managed to dig up…

            #5. Pretty much all of the Harry Potter movies
                        This one was practically a given. Some of the Harry Potter movies mention it more than others, but every June it’s good old Harry’s birthday. While the Potter films do have their ups and downs they are as a series definitely good enough to make this short list.

            #4. Toy Story
                        The other given on this list the original Toy Story’s opening revolves around the young Andy’s birthday and the new toy he receives. The opening scene is truly a great scene and it leads up to the fated meeting and eventual partnership of the two main characters of the series Woody and Buzz. The movie itself one of the legendary Pixar films so yeah it qualifies.

            #3. Die Hard
                        Yep here’s the Christmas movie that I actually like. Sure it doesn’t really matter that it’s Christmas when John McClain is attempting to stop terrorists but it is so furthermore it’s on the list. Oh and the film itself a classic action movie for the ages.

            #2. Monty Python’s Life of Brian
                        Here’s where we get shorter and stranger, but Monty Python opens on the birthday of both Jesus and Brian. Best part is that it’s not a Christmas movie so despite it being Jesus’ birthday it can still be on this list. Plus the scene it takes place in is absolutely hilarious. Oh and the movie is one of the best of the best so were good there

            #1. 2001 a Space Odyssey
                        Believe it or not 2001 a Space Odyssey has a scene where a birthday is mentioned for an extensive period of time. For those who aren’t familiar or don’t remember Dr Heyworth Floyd talks to his daughter over the phone about her birthday and her birthday party, even asking her what she would want for her birthday. Sure it’s a small detail in a very expansive film and the scene has really no bearing on the rest of the film, but it’s there so the film is on the list. It’s one of the greatest films ever made as well which lands it an easy number one slot.

So that’s it! I guess I will look into it more and eventually update the list and make it more comprehensive. One thing to take away though is that if you haven’t seen these films, go watch them (especially the top three) NOW! Oh and leave a comment on what you think is the greatest film that has birthday related themes is.
  

Friday, June 22, 2012

Prometheus Review


Michael Fassbender looking bewildered in Prometheus

Prometheus

B+

A Review by Frederick Cholowski
After a little bit of a cold streak of late (can anyone say Robin Hood) Ridley Scott returns to the genre that launched his career, Sci-fi. Both Blade Runner and Alien (which this film is a quazi-prequel to) have set people’s expectations super high for Scott’s return to the genre. While unfortunately Prometheus doesn’t live up to the legacy of his prior classics Scott still manages to deliver an intense sci-fi thriller and a solid piece of blockbuster entertainment.

The premise is fairly simple; two archeologists Dr Elizabeth Shaw (Noomi Rapace) and Dr Charlie Holloway (Logan Marshall-Green) have found similar markings written by different ancient civilizations. They embark on a journey to the only system that seems to match the ones found in the carvings in a ship called Prometheus. The ship is run by an emotionless android Dave (Michael Fassbender) and is moderated by corporate stickler Meredith Vickers (Charlize Theron). They soon land onto a mysterious planet, looking for keys to the creation of humans, only to have disaster strike.

Where Prometheus falters is in the human characters. All of the human characters in this film are flat and uninteresting. I never cared for any of their non alien related problems and I even found myself zoning out a little during very small character portions of the first 30 minutes. This doesn’t help in some of the earlier action sequences either as when most of these characters are in peril it could be hard to care.
That being said when Prometheus is in full on sci-fi thriller mode it is near perfect. These sequences are intense and wrenching and provide many moments of fear and tension. As well the mystery itself is an interesting, multi layered investigation that did manage to pull me in. Well some of the events could have been explained a little better the little things never managed to take me out of the overall atmosphere of the film.
Forget Lisbeth Salander (which when someone in the film called Dr Shaw Elizabeth instantly came to mind) Noomi Repace gives a different type of strong female lead (think more Ripley less Goth). Despite not given much character wise, Rapace is solid in the role of the Ripley replacement. Logan Marshall-Green is the most annoying of the bunch as his character seems to always be complaining or doing something stupid. Charlize Theron is fine as the mean corporate executive with money and safety on her mind. The most interesting of the bunch goes to Michael Fassbender’s Dave whose shady intentions, backed by the very solid performance from Michael Fassbender, make for an interesting emotionless character and arguably the most developed person in the entire film.

What Prometheus lacks in human characters it certainly makes up for in the visual and audio department. This film is absolutely gorgeous throughout and every shot taken with extreme care and provides for some great jaw dropping visual moments. When the tension and action kicks in Scott uses the right amount of close ups and medium shots that give the scenes perfect amounts of intensity. The score is ominous as it begins the film with a slightly wondrous theme before having the theme slowly diminish throughout the film in change for a darker heavier theme. The score is fantastic and adds overall to the atmosphere of the film.
 
While it’s not as strong as prior Scott films Prometheus does bring it when it comes to pure Sci-fi horror. Intense, gut wrenching sequences bring out some of the best of Scott’s filmmaking that, while hindered by the lack of strong human characters, do provide for one solid summer blockbuster.

Tuesday, June 19, 2012

TV Time: Mad Men Season 5 Review




The surviving partners check out an expansion on Mad Men

Mad Men Season 5

A+

A Review by Frederick Cholowski

SPOILER ALERT FOR ALL OF SEASON 5          

After a long break due to extended negotiations the much anticipated fifth season of what many consider to be television’s best show has come and gone. Sterling Cooper Draper Price has grown and changed into a much different place since we last left it becoming an even less moral place to work. Mad Men season five ramped up the big moments and delivered yet again another near perfect season of television. 

 Don (John Hamm) opens season five in a happy place; he loves his new wife Megan (new regular Jessica Paré), he gets to see said wife all day at work, and he doesn’t have to do much at said workplace. Peggy (Elizabeth Moss) is trying to expand her career into something fantastic and she even at times attempts to be like Don (which knowing how the perceptions of women where in the 1960’s that didn’t go so well sometimes). Roger (John Slattery) has to deal with a crumbling second marriage and a crumbling importance at the work place. Pete (Vincent Kartheiser) is dealing with the “I’m not happy with what I have even though I have everything” syndrome. Finally Lane (Jared Harris) is well… We’ll talk about him in a second.

There was a lot to go through this season so bear with me. I’m going to start with Megan. Many people’s complaints of this season that it was Megan focused and that some people would have liked to see more of the other characters around the office instead of Don’s second wife. For me Megan’s regularity was just fine and she filled the mold quite well. This is due to the great work of Jessica Paré who turned the character from Don’s former secretary to the complicated woman she is by the end of the season. Overall Megan’s character never hurt the flow of the show even when she was out of the office mid season. 

 The other main difference this season was that the show wore it’s themes on it sleeve and felt a little more like television. Mad Men in the past felt more like a series of short films which had subtle themes that were connected throughout the season; this season’s themes where much more obvious and were hammered in through many different means. This wasn’t a problem to me for the most part unless the symbolism and themes were really obvious. The worst offender of these was the finale which pushed the Don’s rotten tooth subject really really hard, to the point of telling us literally that Don was the rotten one. Again for the most part the storylines worked and gave us some of the biggest and best moments in series history.

Speaking of, wow a lot of was big and amazing things happened this season! Some of the best episodes of the entire series were here including “Far Away Places”, “The Other Woman”, and “Commissions and Fees”. First off “Far Away Places” was the one of the “different” episodes that went through three different perspectives on the same day. It was emotional, powerful, and feature Roger Sterling on LSD! Roger Sterling on LSD alone is one of my all time favorite moments on the show and was an amazing turning point for the character. “Commissions and Fees” featured poor Lane Price committing suicide after having financial troubles (which is one of those come out of nowhere “TV” stories of this season that worked) in what was a fantastically ominous and emotional episode (that had one of the funniest, and darkest, pieces of comedy of the season when Lane tried to kill himself in the Jaguar and failed because it wouldn’t start after it had been touted as unreliable all season). 

The best and most controversial of the bunch was “The Other Woman”. In the episode Joan committed prostitute like actions and slept with a Jaguar exec to get the account and to gain a partnership. The sticking point for most was that some of the actions taken by the characters throughout the episode were acting uncharacteristically and it was hard to buy Joan going through with it. I bought every single second and between that storyline (which despite the critics no one questions the way it was executed) and Peggy leaving SCDP it was one of the all time best Mad Men episodes and one of the best hours of TV this year.

Another thing I would like to mention was some of the amazing end of the episode montages this year. The two most prominent ones were the “Tomorrow Never Knows” montage and the final montage of the season to “You Only Live Twice”.  “Tomorrow Never Knows” was awesome because Mad Men use a Beatles song and worked in the frustration of Don watching his wife leave the office into her new life of acting and his frustrations of not being in with the hippest fads. “You Only Live Twice” was amazing due to the emotional ends of all the characters and that fantastic shot of Don walking away from the commercial set (and in a way from his happy married life with Megan).

When we leave Don at the end of season five he’s hit on by the young lady on the bar who asks him “Are you alone?”.  The scene is heartbreaking and ties up the season in a nice bow. Don feeling alone in his marriage now that Megan left the office, Pete feeling alone despite having everything, Peggy feeling alone despite her happiness of moving up in the world, Lane feeling alone and stranded and eventually killing himself over it, and Roger taking LSD for the second time on his own. All the themes despite being bigger and more obvious were wrapped up in what only could be described as another amazing season of one of television’s greatest drama.

Oh and all the other great moments Pete getting beat by Lane, Joan dumping her rapist husband, and Don putting the pressure on with the fantastic pre Jaguar speech all there and amazing as well.

Saturday, June 2, 2012

Moonrise Kingdom Review




 
Confused looking adults looking for their kids is Moonrise Kingdom

Moonrise Kingdom

 A+ 

 A Review by Frederick Cholowski

Every year there is at least one film that comes out in June or early July that reinvigorates my spirit for the rest of the year to come. In 2009 it was Michal Mann’s underrated Public Enemies, in 2010 it was the animated dynamite Toy Story 3, in 2011 it was Terrence Malick’s masterpiece the Tree of Life, and this year it’s the small and whimsical Wes Anderson gem Moonrise Kingdom. Moonrise Kingdom is a magical, emotional, often time’s funny, and always an absolute blast to watch. 

Moonrise Kingdom follows two outcast kids, an orphan scout Sam (newcomer Jared Gilman), and a violent and depressed girl who lives with a large family Suzy (newcomer Kara Hayward) who, after being pen pals for about a year, run away to an island together. Hot on their tales is a dysfunctional search team. The featured searchers are scout master Ward (Edward Norton), the head of the town’s police force Captain Sharp (Bruce Willis), Suzy’s lawyer parents Walt and Laura (Bill Murray and Frances McDormand), and a orphanage worker named Social Services (Tilda Swinton). Together they attempt to track down the couple as while as dealing with problems of their own.

The magic of a Wes Anderson film is that the characters seem to be the only ones in the film’s fantastical little world. Sure we are to believe that the film is set in a town in New England in the 1960’s but the town always has a superficial feeling too it. This never detracts from the emotional connection to the characters though as Anderson always finds the time to add substance to even the most offbeat moments; especially with the relationship between the two main characters. If I had one problem with the film is that at times it’s a little self indulgent and some of the shots are a little too painstakingly thought out for their own good. These problems, despite being present, never manage to take away from the sheer entertainment and emotional connection that Anderson achieves throughout the film. 

Most of this is to the credit of the amazing cast. Apparently (according to the very limited release) people don’t care about Bill Murray, Bruce Willis, Francis McDormand, Edward Norton, and Tilda Swinton anymore. All of the supporting players are fantastic and keep this film together. Murray and McDormand work beautify as the unhappy laid back lawyer parents, Willis manages a fine performance as the dull, sad sack police man, Tilda Swinton is mean and nasty, and Edward Norton is amazingly deadpan throughout the whole movie. Much of the fun is through how straight the actors play each role. These are not actors acting like they’re in a comedy and it makes some of the more outrageous moments even funnier.
Of course the meat and potatoes of this film are the performances by the two leads; newcomers Jared Gilman and Kara Hayward. Both performances are immaculate as you can feel how emotionally broken each one is from the first moments they’re on screen. Their relationship is fantastic and turns what could have been some weird and awkward scenes into scenes that carry true emotional power and weight.

This is a Wes Anderson so the visual style must be unique. In this case it’s the color; there is never a grey moment here with bright colors (especially greens and yellows) in almost every shot. Also the score is fantastic and mixes in old and odd songs with great original pieces that help set the tone and atmosphere. It all clicks too and it gives the film the tone of an adult fairy tale. Heck there’s even a narrator (Bob Balaban who has some of the funnier moments in the film).

Moonrise Kingdom is an amazing film that that delivers on both style and substance. It delivers a unique visual style along with a heartfelt tale of two young lovers trying to escape the real world. It also manages to be smart, funny, emotional, and a big breath of fresh air to the so far fairly stale opening half of 2012.