A student's look into the world of cinema and all its elements.



Sunday, April 12, 2015

Mad Men “New Business” Review: The life and marriages of Don Draper



Don Draper waits in a restaurant on Mad Men
Photo Credit: AMC TV 


A review of “New Business” just as soon as I rent some pants…

“I told you about my heart, I don’t want to feel anything else. When I was with you I forgot about her… I don’t want to do that.”
-Diana

It almost seems like Don has always wanted a clean slate, well at least with his love life. “New Business”takes Don Draper from a state of repetition and moves him to a place where he can reflect on himself and potentially begin the road for a fresh start. The hour has to sadly tread over some familiar and often dull material but it leaves us in a place built with a lot of potential for a new Don Draper. Change may be on the way even if at times in "New Business" it's frustrating that it has not already happened.

“New Business” seemed to be a farewell of sorts for Megan. The episode focused a ton of her packing up her things, taking them away from the apartment, and ultimately seemingly taking herself out of Don’s life for good. It also showed the effects that Don has seemingly had on her drama filled family, her sister is trying to play super catholic by completely condemning Megan’s divorce, and her mother is so angry that she decides to run off with Roger Sterling. When Megan ultimately takes Don’s final one million dollar check it seems like closure for her character, it’s her means of moving on from her life with the man who took her life, career, and family.

Sadly though none of this really worked at all. “New Business” was not Mad Men’s finest hour and seemed only to exist to get us to the point of Don standing with an empty apartment and an empty love life. Nothing within the hour really felt all that essential or interesting in regards to the Don and Megan arc and at times felt like old material that we really didn’t need to revisit. Maybe it’s my dislike for Megan’s family drama or that her and Don’s relationship was never really the most gripping one on the show. Either way it just felt dull and plodding in a way that an episode of Mad Men has not felt like in the last few years, never really grasping my interest closing off a relationship that should feel extremely vital but really did not.

It didn’t help that the rest of the plots throughout this episode were so disjointed and all over the place. I still don’t understand what the point of all the scenes involving Peggy, Stan, and the new photographer Pima. There was some interesting power relations going on between her and the rest of the crew as she seemingly tried to seduce them all, but none of it seemed to get anywhere. Sure it’s nice to see a little bit of focus on the always awesomely bearded Stan but it really accomplished nothing in terms of his character. It just kind of seemed like a plot used to fill an hour, something strange to be saying at this point in the series.

The most interesting plotline in “New Business” comes from Don’s relationship, or really at this point lack thereof with the waitress Diana. Yeah that one, the Rachel look alike from last week. It seems like Don continued to display similar types of behavior from his relationships past to try to seduce her and she absolutely sees right through it, right down to the point where she realizes that he had slept with Silvia after a simple awkward trip through the elevator. Her ultimate rejection of him in her apartment is an acknowledgement that Don hasn’t changed much and to Diana and the audience (many of whom have been complaining for a few seasons of Don’s static nature). As mentioned at the opening of this review, this seems to give Don a clean slate, maybe a chance to reflect upon what he has done throughout his many relationships and move forward. His blank apartment may reek of rejection, but maybe that’s what Don needs to finally move forward with some change in his life.

“New Business” was a frustrating and ultimately dull episode of Mad Men that despite this managed to leave us in an interesting place. Maybe gone is Megan and along with her the old womanizing Don whom has now been seen right through. This maybe a chance for Mathew Weiner and crew to set up a fascinating final few episodes and set us towards the path of sticking the landing. I hope we can look back in a few weeks and view “New Business” as a somewhat necessary bump in an otherwise smooth road to the finish.

A final note before we go into the bullet points... It’s exam season for me throughout these coming weeks which means that for the next two weeks or so I won’t be able to review Mad Men in full the night of. I may do some quick bullet points or try to write something in the middle of the week, depending on the importance of the episodes to come, but life is going to be hectic with all the preparation and study so don’t hold your breath.

Some other musings:

  • Angry Pete is the best Pete!

  • I love the fact that Roger just gets to play the bystander to almost everything throughout this episode. From having five thousand secretaries to Megan’s mother all over him again, there were a lot of amusing confused looks from Roger throughout this one.

  • Harry is still the worst person on earth. Him trying to slime his way into Megan’s pants by trying to get her a better agent was a disgusting display to behold.

  • Pete’s driving is the best driving!

That’s all for this week folks! Again I’m probably off the grid Mad Men wise for the next few weeks so we’ll see where we are whenever I am able to hop on and write about it.

That’s just me though. What did everyone else think?

Sunday, April 5, 2015

Mad Men “Severance” Review: The life not lived



Mad Men's cast prepares for its final season.
Photo Credit: AMC TV 

A review of the premiere of Mad Men’s final season (sniffle) as soon as I take you to Paris in two weeks…

“Do you want to hear something spooky?”
-Ken

Every key decision has multiple paths. Who we are and what we do as people depend on the choices we make and the paths we choose. But what about the choice we did not make, the place we did not go, or the person we did not meet? What does the life on the other side look like? Are you still the same person you are today?

What if Don had not scared Rachel away all those years ago? What if Ken would get out of the game and just write that bloody book? What if the firm had not chosen to be bought by McCann after all? Or what if 
Peggy would just go to freaking Paris with Stevie? “Severance,” Mad Men’s final season premiere takes time to reflect on the choices of our characters and how life could have actually turned out while pushing our characters into strange and potentially frustrating places with their new found situation with McCann.  It sets us into the breezy and almost laid back time of early 1970 and lets the pieces slowly slide into place in truly wonderful fashion.

What if Don had never scared Rachel away? Don, factually is in a much better place at work then he has been in a very long time yet at the same time seems to be in a very odd position personally. Don’s strife in “Severance” is focused around his main mistress in season one Rachel, whom after disappearing for a large portion of the series, suddenly pops back into Don’s life via a very similar looking waitress and strange visions during casting, before we discovered that she has passed away from leukemia. The result is a strange series of occurrences for Don like random sex in the parking lot from the waitress Rachel look alike to an almost comically awkward conversation with Rachel’s sister.

What if Don had never scared Rachel away? Would his life looked any different? Would Rachel have been a better suited second wife to help clean Don up? Or would life have blown up in the exact way? Don’s left a tad distraught by thoughts of what have could been, what if he was still closer to Rachel? Would his life been any more fulfilling to this point?

Or maybe this is slowly a way for Mathew Weiner and crew help divorce our new much more productive Don from the Don of the past. We could be stepping into profound change for Don in certain aspects, and having to leave ghosts (literally at times in this episode) behind him is a big necessary step towards moving on. It seems by the end of the experience at the memorial for Rachel that he’s moved on with the thought of what if, and ultimately decides just to sit at the diner instead of keep asking the waitress if he has ever seen her before. Only time will tell if Don is really moving on with his life or is just the Don Draper we all know from the past, but for a start this Don seems much more ready to not revisit sins from the past.

What if Ken would get out of the game and write his book? He would seem that he would sure as hell look a lot less pale and worn down then he does in “Severance.” He is still eyepatch clad and as stressed as ever running around from client to client trying so hard just to please them. It should be a relief in a way then when he is suddenly (or probably not so suddenly given his history with McCann) fired from the company. Now he can finally go and work on that book of his, and spend much more time with his wife and be potentially super famous. Sadly it seems though Ken is still just as eager to be a player in the game though as he hops on the chance to take his father in law’s position as advertising executive at one of the firm’s biggest clients and in a great scene essentially flips the bird to Roger saying that he will be very hard to please.

What if the firm had not chosen to be bought by McCann after all? Joan and newly mustache clad Teddy would have been much happier, and maybe the firm would actually be able to run without complete obstruction from outside forces. It seems that McCann is being very frustrating in regards to the everyday process of the firm which we get in spurts throughout the premiere. Poor Joan who has more money and influence than any of the male blokes that sit across from her in these meetings but has to hear all of their mockery of her just because she is a woman and its 1970. And poor Teddy who has to look at so many casting photos just because the McCann guys want to peer at beautiful women. It seems as though we’re going to get more obstructions as the season moves along and maybe some fun conflict will ensue along the way.

Finally what if Peggy would just go to freaking Paris with Stevie? Maybe this is finally Peggy’s opening to be happy in a relationship and be the perky girl of old instead of the Don Draper 2.0 of new. Just how happy Peggy seemed while drunk in her room contemplating going to Paris with a man whom she hardly knew and yet seemed to have more of a connection with than anyone else made me a little bit heartbroken when sober Peggy started to skirt away from the idea. Let’s hope Peggy’s arc this season is one to total happiness because if there is ever a character who ever needs and deserves it is Peggy.

“Severance” was a great Mad Men premiere. It gave us our new pieces to play with while at the same time reflecting on where these characters could and maybe would have been given slight changes in course. It’s a perfect mix of light and darker material that pushes the characters forward and allows them to look in full circle fashion in only the way that Mad Men can. Boy am I going to miss this show.

Some other musings:

  • Roger and Teddy’s mustaches are the greatest things in human kind!

  • If there is anyone’s name that I don’t want on the jacket of my next book it is Pete’s…

  • Can Don Draper see ghosts or something? First Burt Cooper now Rachel.

  • I love the look of this episode. It feels much more breezy and relaxed in turn of color palate. The 1970s are in full swing not only for some of the characters but for the show itself!

That’s it for this week folks. Only six more episodes of this amazing show are left.

That’s just me though. What did everyone else think?

Sunday, February 22, 2015

Oscars 2015 Live Blog

The murder's row of best picture nominees
Photo Credit: The Guardian

It's live blog time! For the third year in a row I'm going to give my thoughts of the Oscars as they happen! Now full disclosure I don't know how long I'm going to last with this due to various different things going on tonight but I'm going to try my best to keep going all the way through... So here we go Oscar time!

5:31- Literally less than a minute and we have a musical number this is going to be a long night...

5:39- Meh that was fine I guess at this point it's NPH's gimmick to do long elaborate music numbers. Bad American Sniper joke followed by a really awkward Smerfs 2 knock at the end brought it down a bit...

5:45- Best supporting actor right off the top. All these nominees are good picks looking back at it but J.K. Simmons is the best with a bullet. Winner is: J.K. Simmons! No surprise to be had here absolutely deserved that was one heck of a great performance. Good speech, the usual thanks before a nice bit about calling parents and telling them about your love for them.

5:47- I don't like NPH so far hopefully he gets better... Who am I kidding it's generally all downhill from here... Why do we have to spend time on NPH's Oscar picks? They are doing that idiotic thing that the globes does where they do pointless video packages for each of the nominees... But yay Liam Neeson! 

5:51- Musical number #2 it's that song from that film I completely forgot existed... Anyways good time to start making dinner... also if this continues this is going to be a long night...

5:57- J-Lo and new Kirk are out to present best costume design... Winner is: Milena Condenaro (I think that's how you spell it although I'm not sure) for Grand Budapest Hotel! Duh... Short speech move on.

6:00- NPH is really not funny!!!! Also Reese Whitherspoon (emphasis on the Spoon part) is out to present best makeup. Winner: The people from the Grand Budapest Hotel! Short speech so at least we are now back into the positive on the awards to musical numbers ratio...

6:10- Foreign film time! Winner is: IDA! Great film and great pick! He's getting played off super hard! But he keeps going atta boy!! Crowd cheers him for his guts! This man rules! Maybe we'll get one less musical number because of him!!

6:13- More pointless video packages! 

6:17- Everything is awesome... The exception being this show... 

6:23- Admittedly that was the most fun musical performance so far can't wait to see The Lego movie win best picture later tonight.... Oh wait... 

6:25- Short film time... Another time to continue making dinner will be back in a sec...

6:39- I'm back now with pasta, that should make me less grumpy! Probably not... Looks like I miss shots the Govenor awards recap and another musical number. In other words absolutely nothing... 

6:43- They are doing a Birdman joke... It's actually ok... NPH is out in his underwear cracks a joke about actors being dedicated...

6:47- Sound Mixing and editing time! Sound mixing goes to Whiplash!! Good pick! Man the guy speeking looks a lot like Mark Ruffalo!

6:51- Sound editing goes to American Sniper! Can't really comment...

6:52- Supporting actress time! Go Patricia Arquette!!!! Winner: Patricia Arquette! Yay! She is very great in Boyhood! She reads a speech off of a big piece of paper! Gives a great crowd pleasing finale about woman's rights! Yeah go women! And go Patricia Arquette!

7:01- Another musical number... Time to clean up from dinner...

7:04- That was quick... Visual Effects time! Winner is: Interstellar! Well deserved! That film was utterly gorgeous!

7:07- Animated Short so back to cleaning for me... Will probably be back in about 2 minutes...

7:10- Well three minutes as I write this... It's the category that should have been won by The Lego Movie.. Otherwise known as best animated feature... Also the Rock! Winner: Big Hero 6! This award is null and void in my eyes this year because it didn't celebrate the best animated film...

7:20- There was a speech from the director of the academy... Better then another musical number I guess... Production design is won by The Grand Budapest Hotel as expected... I'm beginning to fade and it's only 7:30...

7:24- We are cancelling the apocalypse!!!! It's Stringer Bell!! Cinematography time technically we have an hour to go how are we going to be done on time? Winner Birdman! I missed the name will update in a moment... Anyways this is his second win in a row and a really deserving one for the second year in a row! Here is to a potential third straight win!

7:31- In Memoriam time...

7:36- No we don't need a live performance after In Memoriam we just want the In Memoriam... Having the performance takes the focus away from the honoring of these people... Am I the only one who thinks this?

7:41- I'm beating a dead horse but going to break with Jennifer Hudson instead of the actual people being honored makes me angry...

7:44- Ok I've composed myself it's editing time! Winner is Tom Cross for Whiplash. Good pick making musical performance look great is no easy feat... Good speech as well...

7:47- More video packages... Terrence Howard is blundering and playing with his mic..

7:50- Documentary feature time... Winner is Citizen Four! No surprises to be had here. Never saw Citizen Four sadly. They never showed it on HBO in Canada.. That's about all I have to say at this point I'm really fading.

7:58- A song to celebrate Martin Luther King 50 years after his assassination...

8:13- I'm back sorry had to switch computers... Where are we?

 8:13- This did not get published apparently but I really really liked the tribute to MLK but wish it was the only musical number on the show period...

8:15- Why are we paying tribute to the Sound of Music?????

8:17- This show is never going to end is it? I hate this show so very much....

8:22- Lady Gaga did a decent job but that's beyond the point this should never have been a thing on this show...

8:23- Ladys and Gentlemen it is 8:23... 8:23!!!!! And we are only at best score... I cry a single tear... Winner is Alexander Desplat for The Grand Budapest Hotel! Hm of all the things that film did very well the score was not one that I noticed as much. But a good short speech and off to the races we go!

8:26- Ok we are on to screenplay! Original Screenplay first! Go Boyhood! Winner is:  Birdman! Because why not... I didn't think the script was the strongest part of Birdman but I guess we have the lock for Best Picture...

8:36- Adapted Screenplay Winner is Imitation Game! Predictable winner but a great speech! Stay weird people!

8:39- We are now nearly 10 minutes over and the end seems so far away. By my count we have The two main acting awards and directing and picture. This is the show that never ends...

8:41- We are over three freaking hours in and NPH is still not funny. Best Director is up I'm pretty sure this is a lock for Birdman but I can hope for Boyhood can't I? Winner is: Yup Birdman wins! All things considered this is well deserved if there is one thing that Birdman will be remembered for it is its directing. Inarittu is great on the mic. Also Why is everyone so surprised on Twitter about this win? This was the film that was always going to take most of the main categories...

8:47- Boyhood is going to leave with one award isn't it... 

8:48- Best actor time! I think Keaton is a lock isn't he? Or is it Redmayne? Personally I'm rooting for the snubbed Jake Gyllenhaal is that allowed? Anyways Winner is: Eddie Redmayne! Hm good for him I guess... Personally I could come up with many better performances. His speech is wonderful though and he may have won me over more with this speech then he did in the entire film. 

8:54- Alright! Mcconaughey is out for best actress otherwise known as that award that Julianne Moore will win... Winner is: Julianne Moore! I would say the most obvious winner of the night but that would mean that there had to be some surprises... PS why they pretty much showed the final scene in Gone Girl as Rosamond Pike's nomination video because apparently the producers hate the audience (well not that there haven't been plenty of signs of that).... Julianne Moore is very good and deserves the Oscar...

9:00- No why do we care about his stupid Oscar predictions?????? IT'S ALREADY 9:00!!!!!!! 

9:01- NO ONE CARES GET TO BEST PICTURE!!!!! 

9:02- THIS BIT SUCKS! 

9:04- Best Picture time over three and a half hours into the broadcast... Go Boyhood even though it's not going to win! Winner is: Birdman! Not surprising. I did really like the film and put it on my top 10 so not too much complaining from my end... Thank goodness this show is over though... Zadan and Meron never need to produce another Oscar telecast ever again... It was too long and put the focus on music instead of films... Also I really didn't like NPH and felt he didn't suit the telecast... I'm off to crash now goodnight everyone!

That's just me though. what did everyone else think? 

Monday, February 9, 2015

Better Call Saul “Uno” Review: Down on your luck




 Jimmy making a statement with a check on Better Call Saul
Photo Credit: AMC TV

Brief thoughts on the premiere of the Breaking Bad spinoff Better Call Saul as soon as I stop buying bacon…

“There are no shortcuts”
-Chuck

Better Call Saul is not Breaking Bad.

And that’s not a bad thing at all, one of the things I feared going into Better Call Saul was that Gilligan and Gould would try and make a show that was Breaking Bad just with a less fascinating character at its centre. Luckily for the duration of the premiere that seems not to be the case, Better Call Saul seems on the trail to develop its own voice and judging from the premiere it’s going to at least be a fun voice to listen to.

That’s not to say that “Uno” doesn’t borrow good things from Breaking Bad. First and foremost the direction of Vince Gilligan is present in full force. The show retains the beautiful look of its predecessor while at the same time playing around with different ideas. Shots are still crisp, beautiful and often there is a unique angle or two to sink our teeth into. One of the things I like most in the premiere is that scenes take their time and last longer than one would normally think, really getting the most out of interactions and sequences that under any other hand might be secondary or not thought through.

Ultimately slow and steady seems to be the pace Better Call Saul will occupy in general. The quote from earlier “there are no shortcuts” was the philosophy of Breaking Bad and it seems to be the philosophy here. The premiere seems to cover all angles of the meteoric rise Jimmy McGill and it seems to want to do it with the patience and care that was trademark of the show’s predecessor. This is not a show that is going rush the journey, and we are going to see the evolution of this character in the most precise way possible.

Now onto differences and specifics. “Uno” suggests a show that is much more openly comedic than Breaking Bad ever was. Sure Breaking Bad was a very funny show at times but it was always within a dark framework, where as “Uno” suggests that Better Call Saul will insert darkness amidst comedy. Many of the perilous situations that Saul finds himself in (more on that in a moment) are set up through comedic set pieces. It’s the tone and the way plot is delivered that ultimately differentiates the show and turns it into its own show independent of Breaking Bad.

Those comic set pieces are seen throughout “Uno.” The climax of the episode itself involves to stoner skaters trying to make a bit of a buck for both Jimmy and themselves before it ends up going downhill. Heck just watching Jimmy attempt to makes some money is funny in very sad ways, from trying to defend college kids who were sexually harassing store props (I have no other way of putting that) to him trying to get his sick brother to try and cash out from his own law firm. It all works to set up the tragically funny world that Jimmy inhabits that constantly seems out to get him, from the bad kids in public court to the skaters that somehow end up not being run over by the old lady picking up her kids from school but instead a gun wielding Tuco.

And we all know where this story ends. In case one forgot “Uno” even provides a great pre-credit teaser showing the boring gray (literally) life Sual currently leads as a manager of a Cinnabon in the middle of an indiscreet mall. But ultimately it’s going to be about how and why Saul got there and judging from “Uno” the journey is going to be a lot of fun.

Some more musings:

  • I’m going to try and do small weekly reviews of this show on Tuesday Mornings. I don’t have AMC at the moment so I’m trying to watch via Itunes season pass. It wasn’t great for this episode (which is why this is up as late as it is) but hopefully it gets easier as the weeks role on.

  • On the note of Tuco showing up I feel as though I’m going to be uneasy when parts of Breaking Bad creep their way into the show. I did groan a little when the gun touting adversary ended up being Tuco but I guess we’ll see where it’s going before I judge.

  • Of course Mike is always the exception to that feeling of unease. The more Mike the better.

  • Also a buddy cop show with Saul and Mike is potentially the greatest thing ever.

  • I love the slow build of the court scene post credits which involves a silent court room for a minute or two while Saul talks over his plan to himself in the empty bathroom. A wonderful comedic setup.

  • It’s funny with the how relevant the fake accident skaters are because of the Russian dashcam videos that are being released.

That’s all for now folks… Until tomorrow! It’s a two episode week!

That’s just me though. What did everyone else think?