Ryan Gosling is performing maintenance on cars in Drive
Drive
A+
A Review by Frederick
Cholowski
Action movies have had an identity crisis over the
last decade. The genre has been tarnished by over reliance on special effects
and little reliance on characters or a comprehensible plot. Then there is
Drive, an action movie from cult Danish director Nicolas Winding Refn that hits
all the right notes. It’s fast paced and action pact but at the same time takes
its time to do the most important things such as develop characters and set up
a plot.
Drive
follows the unnamed, silent protagonist simply named Driver (Ryan Gosling) who
is a movie stuntman by day and a criminal getaway driver at night. He soon
becomes friends with a neighbor Irene and her kid Benicio (Carey Mulligan and
Kaden Leos) and continues to work with his right hand man Shannon (Bryan
Cranston). During a heist gone wrong Irene’s husband Standard (Oscar Isaac) is
shot and Driver has money that belongs to two high class gangsters Bernie and
Nino (Albert Brooks and Ron Periman). This starts a cat and mouse like chase
between Driver who is trying to keep his new found family and Shannon safe and
Bernie and Nino who will stop at nothing to get what they want.
The
magic of Drive is that the first forty minutes is devoted to developing the
characters. By the time the big events go down the characters are developed enough
to the point that we truly like them and hope they come out on top. Another
great thing about Drive is its constant levels of suspense that build
throughout the film. You never know if Driver is going to live or end up six
feet under so the film keeps you on your toes the whole way through.
Once
the action starts it is brutal and uncompromising. Refn has a certain edge to
the violence that is reminiscent of Tarantino and Rodriguez. The best part is
that Refn also leaves a bit up to the imagination making for some truly brutal
possibilities.
While
Gosling isn’t all that big or muscular he is probably one of the best silent
action heroes in many years. He doesn’t say much but his performance is
described by his facial expressions and his actions. He doesn’t use a gun but
the way he kills is uncompromising and brutal; and being a drama star Gosling
is able to give a fine performance when not on the prowl. Mulligan is great and
provides an innocence to the role she is given. The rest of the supporting cast
works as well with Cranston, Brooks, and Periman all giving solid supporting
performances.
Technically
Drive looks, sounds and moves fantastically. The opening six minutes of the
film (arguably the best part) is a pulse pounding heist scene that involves
much planning and precision. The scene uses beautiful establishing shots of LA
mixed with close almost claustrophobic shots of Gosling. In all the movie also
has a very 1980’s feeling with hot pink titles, stylized action, and one of the
best techno pop scores I have ever heard.
All
in all Drive is an amazing action movie and one of the best films period to be
released in 2011. The mix of pulse pounding action and character development
all melds together in one flashy package. Drive is a fantastic film and is one
action movie that shouldn’t be ignored.
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