American Soldiers Carrying out an important mission in Zero Dark Thirty
©Columbia Pictures
Zero Dark Thirty
A+
A Review by Frederick Cholowski
Terrorism and combating
terrorism is one of the most important aspects of most western intelligent
agencies. After the events of 9/11 the United States have been especially
vigilant its anti-terrorism efforts, going to many extremes to hunt and capture
certain targets. Perhaps the greatest of all these missions is the manhunt of
Osama Bin Laden, a mission that took a lot of time, money, and manpower. This
is where Kathryn Bigelow’s Zero Dark Thirty comes in as it takes a behind the
curtain look on to the events that transpired during the time. The result is a
compelling thriller and a gripping character study. It may also be Kathryn
Bigelow’s masterpiece.
Zero Dark Thirty opens with
the events of 9/11, which are depicted only through sound, and ends with the
killing of Bin Laden. Between the bookends the film follows CIA agent Maya
(Jessica Chastain) and her hunt for Bin Laden and his associates. She begins
her journey witnessing her first torture operation lead by senior officer Dan
(Jason Clark). Maya was dropped into Pakistan at a young age and after Dan
becomes tired of the operation she takes over. The film follows Maya’s quest
for Bin Laden while the clock is ticking and attacks are becoming more and more
frequent.
Zero Dark Thirty is an
amazing espionage thriller that pulls no punches in its depiction of what when
into the hunt for Bin Laden. Torture and excessive force are used to show just
how far the CIA was willing to go to find its target. The true genius of the
film is tight rope it walks with the hunt as it never glorifies the idea of
torture for a certain cause and allows for the ethical and moral questions to
be brought up, but at the same time made the characters sympathetic enough to
root for. This isn’t no rah rah go America movie as it clearly states that some
of the things that are done to find Bin Laden are most certainly wrong.
The other aspect of Zero Dark
Thirty is the compelling on the fly character study that is presented. Jessica
Chastain delivers the female performance of the year as the powerful and overcommitted
Maya. Chastain plays the character with a shell of toughness while never
loosing the heart or emotional aspects of the character. The character study is
weaved carefully within the espionage in a way that is effective and powerful.
Unlike in the Hurt Locker, in which many of the character moments were a little
bit out of place, the character moments in Zero Dark Thirty always work and
ultimately provide a powerful emotional heart to the espionage spine.
Supporting performances come
and go in this film and there are some fleeting moments of good acting as the
film moves on. Jason Clark does good work as a superior officer and is perhaps
the supporting actor with the most screen time. The rest of the supporting cast
is filled with character actors and TV actors that pop in and out of the film
as the story sees fit. All do solid work with what they are given, but
ultimately this is the Jessica Chastain show and the film is much better for
it.
Zero Dark Thirty also has the
advantage of looking great as well. The film is well shot with a variety of
shot styles used throughout the film. The action scenes including depictions of
an attack on the CIA and the capture of Bin Laden are absolutely fantastic and
prove yet again that Kathryn Bigelow is a top notch action director. The score is
nothing impressive but does create enough atmosphere and provide enough energy
to be affective throughout the film.
Zero Dark Thirty may be
Kathryn Bigelow’s masterpiece, plain and simple. Form the energetic espionage thriller
skeleton to the heart of a powerful character study Zero Dark Thirty has
practically everything that can be asked from this sort of military thriller.
The film also manages to take a smart look on the ethics of a man hunt of this
scale without political interference. Add in the best female performance of 2012
with Jessica Chastain’s spellbinding performance as the over obsessed CIA agent
Maya and Zero Dark Thirty easily finds itself amongst the very best of an
already amazing year for film.
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