Matt Damon in action in Elysium
Photo Credit: Sony Pictures
Elysium
A-
A Review by Frederick Cholowski
This summer has had
its fair share of big budget, premise based Sci-Fi films. Elysium is the latest
and the best of this crop of films. Writer, director Neil Blomkamp, who was responsible
for the fantastic District 9, creates a dark and destructive vision of the
future with heavy political undertones. Such a film could turn out to be a
disaster, but under the steady eye of Blomkamp Elysium manages to shine as
bright as possible given its just less than two hour constraints.
At the end of the
twenty first century Earth has been practically destroyed. Overpopulation and pollution
have ravaged the earth forcing the rich to build a super high tech new habitat
called Elysium and the poor to be left behind on the barren wasteland that is
Earth. Max a former thief and now lower class worker on Earth suffers an
accidental incineration after his boss forces him to try to do unsafe work to
keep his job. He is hit with a lot of radiation from the accident and is told
that he has only five days left to live. Not ready to die Max sets out for aid
from an old boss Spider (Wagner Moura) to get him to Elysium to fix his
illness. Spider accepts if Max is willing to do one job for him steal the
information that is in an earthbound Elysium executive John Carlyle (William Fichtner).
Turns out Carlyle was given the reboot codes for all of Elysium by Elysium’s
somewhat extreme defense senator Delacourt (Jodie Foster) who uses frowned upon
methods such as her super evil super soldier Kruger (Sharlto Copley). After the
codes are stolen let’s just say that Delacourt wants them back and so a now
part robot (so he can have more strength while suffering from the radiation)
Max has to outrun Kruger’s team of assassins but also ensure that his childhood
friend Frey’s (Alice Braga) young daughter Matilda (Emma Tremblay) can get up
to Elysium as well to heal her stage three leukemia.
Elysium has a ton of
moving peaces which for the most part actually plays to its strengths. Elysium
has a lot of political commentary hammered into its less than two hour running
time including various comments on sustainability, the military, right wing extremism,
and biggest of all immigration. The issues come fast and quickly but Neil
Blomkamp manages to make it all work by making a very intense two hour experience
one that keeps the viewer on their toes for the entire experience. Elysium is
never hard to follow nor is it ever preachy because Blomcamp has a very good
human story at the centre. The stories of Max, Frey, Delacourt, and Kruger are
all super interesting and that paired with the very well shot action keep the
film moving at a very intense pace; especially once the film reaches its second
half.
That being said it’s
hard not to escape the thought that the material that makes up Elysium isn’t
really made to fit into a two hour film, but instead feels like something that
should be drawn out over a ten to thirteen episode television miniseries. One
of the strengths of Blomkamp’s previous film District 9 is that the story felt
contained enough to fit into the span of two hours and all the issues fit well
within the time span of the film. Elysium feels like there can be entire films
based around one element of the premise alone, and that something like a
miniseries could help flesh out many of the ideas and characters that are
presented in the film. Ultimately the film has to be judged for what it is,
which is a very good and very intense just shy of two hour film that happens to
comment on a lot of different issues, but it’s very hard to shake the fact that
if it were a longer experience and all the elements of the film were allowed to
breath it could be something truly special. It has the potential to be like a
season of the Wire that is set in the future, it really does.
The acting in this
film is solid across the board. Matt Damon gets to be a more action hero version
of himself (think something like a more down to earth Jason Borne) and pulls it
off very well given the constraints of his character (which is the writing’s
fault more than his, see the previous paragraph for why that is). Jodie Foster
isn’t given all that much to do but plays what she is given very well. The real
standout in the film is Sharlto Copley who gets to be fantastically evil as
Kruger. Copley plays Kruger with so much energy and rage, and ends up steeling every
scene he’s in. He carries much of the film’s tension and ends up creating a
very memorable villain.
Visually Blomkamp
has turned out to be quite the director. Elysium is a wonderfully shot film and
one that manages to use its camera movements to dictate both its pace and
intensity. There is still some of the camera shaking that remains from District
9 but this time Blomkamp is very smart with how he uses it, often leaving it
for moments that are supposed to be utterly chaotic. The result is a beautifully
gritty film that makes the most of its R rating. Yes the bloody violence seen
previously in District 9 makes its return in full force providing a few
exploding heads and bodies. It’s all ultimately well directed and shows how
good Blomkamp has gotten over the course of just two films. The score scene
here is usual intense Sci-Fi fair but does provide a good way to keep the film
feeling constantly intense.
Elysium is the best
of 2013’s crop of blockbusters, even though it doesn’t seem to fit in that
category all that well. The film is a smart, energetic, and very intense two
hour experience that manages to thrill and be thought provoking. The material
may have ultimately be better served in a longer form of storytelling, but
ultimately Elysium manages to be a very good film that just misses greatness
because of its unfortunate constraints.
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