A student's look into the world of cinema and all its elements.



Monday, December 8, 2014

The Top 10 TV shows of 2014





It was a great year for Television Were did True Detective stand at the end of all of it?
Photo Credit: HBO 

It’s that time of year again! It’s time to look back at the year and all that has transpired in the world of television. 2014 was another great year for television, and one that many have actually had the problem of having “too much good TV” (as ludicrous as that statement may sound). There was just so much in so many different place it was insane and it made it even harder for me than usual to even watch all of the “noteworthy” TV that hit the airwaves in the year 2014. That leaves me to the disclaimer that comes before every single top 10 list that I make which is that I have absolutely not seen everything that Television has to offer this year most notably Comedy Central’s Review and Amazon Prime’s Transparent (both of which were hard to access in Canada). That being said there still was a lot of great Television and this list is packed. Here are my picks for this year’s top 10…



Honorable Mentions:


Girls (HBO), Game of Thrones (HBO), Bojack Horseman (Netflix), Parks and Recreation (NBC), Louie (FX), The Knick (Cinemax/HBO Canada), Boardwalk Empire (HBO), You’re the Worst (FX)



10. Last Week Tonight with John Oliver (HBO)





John Oliver may be the revelation of 2014. It’s not that most didn’t know he was good nor did most not think he could be the host of his own show, but I don’t think anyone ever imagined that Last Week Tonight would be this great. Oliver took a format that worked and reinvigorating it by focusing on long and detailed pieces instead of just the usual short and snappy segments that the Daily Show provides. Heck it made long form investigative journalism cool to the common public eye! Who can say that?



9.  True Detective (HBO)


No show has gone through as much of a swing in popular opinion this year as True Detective. At the beginning and even all the way through its first season run True Detective was said to be the greatest thing to hit TV, and post run it was almost completely turned on. I really like this show for the most part, from the great performances from both Matthew McConaughey and Woody Harrelson, to the beautiful direction from Cary Fukunaga, to the wonderful and ambitious ideas that filled its mere eight episode run. Did it fall under the weight of its own ambition near the end, yes but the sum of True Detective managed to overcome its few flaws and make it one of the most intriguing shows of 2014.



8. Happy Valley (Netflix/BBC)




I caught onto Happy Valley almost by accident near the later part of 2014 and boy was I glad I did. Happy Valley was one of the most harrowing and powerful television shows that 2014 at the same time being a great slow burn crime drama and a fascinating look at the effects of a kidnapping. And then there is that scene at the end of episode four that will forever be burned into my consciousness and is one of the single best sequences in all of 2014. I’m glad that every once and a while Netflix will bring over some foreign television gems, a trend that I hope continues into 2015 and beyond.



7.  Fargo (FX)




When FX announced that it would be doing a television show version of the Choen Brother’s classic (and one of my favorite films of all time) Fargo my initial thought was that this is a bad idea, a really bad idea. On paper it still is a really bad idea but somehow, someway Noah Holley and crew managed to make it work extraordinarily well. This is a show that tried to capture the spirit of Fargo but never tried to dwarf it nor did it try to be a television remake of the film itself. Fargo the television show is not only a perfect companion piece to the film but a great season of television filled with phenomenal acting, a twisty plot, and fantastic since of mood and atmosphere. The idea of taking a film and creating a television show based around it is still an idea that should not be replicated, but Fargo made it work and that’s an amazing achievement.



6. Rectify (Sundance/Netflix Canada)




The second season of Rectify continued and expanded the strange fish out of water story of Daniel Holden. With the expansion of season two to 10 episodes the show was allowed to explore characters that had previously not received their due (who knew I could get invested in Ted Jr. as much as I did) allowing the show to expand its universe in the most fascinating ways. Rectify remains a one of a kind show one that explores mood, character, and faith in a way that no other show even attempts. This is art TV at its finest.



5. Mad Men (AMC)



No matter how much the backlash piles on Mad Men remains the same great show it has always been. Sure the seven episode split was admittedly not all that kind to the show providing us with a bit of an uneven start to this half season, but when the show is in peak form as it was for the last three episodes it is better than anything on television…. Period. Even in the short and at times uneven season we got Ginsberg vs the computers, Don’s worst threesome ever, a little bit of closure to the best relationship that the series has done, and Bert freaking Cooper singing and dancing from beyond the grave. This show remains as great as it has been since day one and while it had some trouble with the half season format (which is AMC’s fault) by the end of the season it felt like the show never missed a beat.



4. The Americans (FX)



No show made a bigger leap in 2014 then FX’s The Americans. Ramping up the tension for the characters by having some fellow agents go down and adding the kids into the main fray spiced up the proceedings considerably. Gone was the strange break up and get back together fu of the first season and in its place came some great drama with Elizabeth and Phillip’s failings as parents which made for a season that felt much more fluid and interesting from both a plot and character perspective. Let’s hope that unlike recent FX dramas (ie Justify and Sons of Anarchy) that season two is not the peak of the show and instead continue on this great path it laid for itself in season two.



3. The Leftovers (HBO)




2014’s award for TV’s most depressing hour goes to the polarizing new HBO drama The Leftovers. No other show made for as much of a sustained punch to the stomach as The Leftovers providing some of the most disturbing and truly emotionally damaging material of the year. This may sound awful at first glance but while no other show punched like The Leftovers few if any rewarded the viewer more. The payoff to the emotional punches were always perfectly executed through great acting (especially Carrie Coon another big revelation in the year 2014), a haunting score, and beautiful direction established early on by Peter Berg. The Leftovers may be a depressing show to sit through but the power of the show makes it all worth it and more.



2. Hannibal (NBC)




The winner of the how the heck is this show still airing on television let alone network freaking television is Hannibal, the show that continues to surprise around every corner. This is a show that pulls no punches with its gruesome violence and genuine creep factor, but at the same time manages to be a big beautiful piece of operatic cinema. Hannibal is high art TV at its most strange and fascinating, each week challenging the viewer in so many different ways. The season went from being a great game of cat and mouse between Hannibal and his imprisoned patsy Will throughout its first half to becoming one giant inescapable nightmare as Will got closer to Hannibal in its second and seamlessly transitioned between the two. It all led to one of the most stunning and disturbing finales ever put on television, one that haunts me to this very moment. But the show’s biggest achievement is that, while it is a show that focused on a serial killer, never for a second became exploitative like so many serial killer shows tend to. Hannibal remains the most fascinating show on television and I can’t wait to see what strange and messed up directions season three takes us (yes this show has now somehow been renewed twice).



1 Orange is the New Black (Netflix) 


No season of television felt as complete and as close to perfection in 2014 as the second season Orange is the New Black. This is a show that has continued to expand its world and breadth of characters and at the same time give us such a tight almost Wire esque plot thread. This show somehow managed to hit all the emotions, it made me laugh, cry, and made me feel for characters that at the end of last season I could have never imagined I would feel for on such a deep level. Everything that the first season did so well the second did better, we got deeper back stories, more complicated situations, and the best cast of characters on television. By the time Don’t Fear the Reaper played at the end of the season there was no show that achieved the level of power and depth on television in 2014. A stunning achievement to say the least.

That's just me though. What did everyone else think?


Sunday, November 23, 2014

Mockingjay Part One Review: The revolution was propagandized



Katiniss looks surprised and sad in Mockingjay Part One
Photo Credit: Lionsgate


Mockingjay Part One

B-

A review by Frederick Cholowski

Mockingjay Part One is very frustrating. Yes the latest film in the ever growing Hunger Games franchise has the two cursed words in its title; those words being “part one.” They are the words that pretty much guarantee that I’m going to end up cursing at the screen once the final scene plays out and sadly Mocking Jay Part One doesn’t do anything to change that. Of course I reserve judgment on this film until its inevitable part two but for now Mockingjay Part One is a frustratingly incomplete film one that, despite its flashes of brilliance, doesn’t really stand on its own.

The first part of Mockingjay picks up nearly immediately after the events Catching Fire. After escaping the Quarter Quell Katniss (Jennifer Lawrence) is a broken woman. She’s lost Peeta (Josh Hutcherson) to the clutches of President Snow (Donald Sutherland), her district has been reduced to rubble, and she’s being forced to be the figurehead of the revolution a role in which she is really uncomfortable in. But the revolution and its leaders President Coin (Julianne Moore) and former gamemaker Plutarch Heavensbee (the late great Phillip Seymour Hoffman) need Katniss badly and she is pulled into a violent game of political intrigue with the future of their world relying on her victory.

Mockingjay Part One is incomplete, there is no other to put it. It is the first half of a potentially great film but it does not work as a single entity. It is all set up and no payoff. None of the story or character arcs that are started reach conclusions, even temporary or intermediate ones. The film just kind of ends right at the point where a regular film would be trucking towards its climactic showdown. There is no effort here to make a smaller story within the bigger one to help make the film stand on its own, in fact there is no resolution of anything at all. Mockingnjay Part One feels like an episode of a serial television that is sold as a standalone product, it just does not work.

This is especially frustrating because there are some legitimately very good things throughout the course of this film, first and foremost being the acting prowess of one Jennifer Lawrence. Mockingjay Part One is the Jennifer Lawrence show as her full acting power is on display (along with her wig which is so terrible it is distracting). Lawrence makes every scene she is in better and it seems as though she has grasped the full potential of the Katniss character. She is asked to display a wild range of emotions and pulls each moment off with power and realism.

The supporting cast is great as well, Francis Lawrence and crew have really got themselves a who’s who of supporting actors at this point. The late Phillip Seymour Hoffman still shines the most here despite not having as much to do as before as he really injects a fascinating energy to the film. Jeffery Wright and new addition Julianne Moore are also really good here in their limited roles, each getting their characters across well. Donald Sutherland provides a formidable foe for Katniss and the revolution and the two hunky love interests Josh Hutcheson and Liam Hemsworth are good enough to not be distracting in any way.

There is also some really interesting political satire going on in this film. The back and forth battle of propaganda is a great set up for the big battle and shows how the media can affect both sides of the war. The film is not subtle about its commentary on modern propaganda but it is used effectively and provides a solid backdrop for which the film can play around with. It provides an extra layer to proceedings and makes the film feel like it has something to say rather than just trying to be typical adult fiction fodder.

Francis Lawrence is also a really good director and it shows throughout this film. There are some really haunting and cool visuals that he presents throughout the film that set the mood and atmosphere very effectively (although he may have gone overboard on the characters climbing over rubble sequence). The film is really allowed to dwell on the horror of what is taking place and Lawrence’s filmmaking really accentuates that. This is actually a really slow and meditative film throughout most of its running time and it’s actually super effective. The film does strangely want to become Zero Dark Thirty near the end and tries to remind the audience that yes this is an action film, but that can be forgiven as it is all shot well and is effective for the most part. Overall the visual package is super slick and stunning which makes film very effective throughout most of it running time.

All those really positive things being said it is impossible to shake that Mockingjay Part One doesn’t work as a standalone entity. The film has many great and interesting moments, but in the end it is all setup and no payoff. Ultimately I’ll revisit how both this and its part two work as a whole around this time next year and hopefully by then the feeling will be much more satisfying and much less empty.