A student's look into the world of cinema and all its elements.



Sunday, January 26, 2014

Mad Men Re-Watch 2014: Season 2 Ep. 2 “Flight 1” and the planes come crashing down



 Pete's in Shock on Mad Men
Photo Credit: AMC TV


It’s re-watch time again! Throughout the next few months we will continue our look at Mad Men with its second season. Every Saturday It’ll be a Season 2 episode in the hot seat ready for tons of discussion. Without Further due let’s get right into the Mad Men Season 2 re-watch!

Thoughts on “Flight 1” as soon as I crush the cherry…

“It’s the strangest thing. My father was on that plane.”
-Pete

Everyone’s got family issues. Whether it is Pete’s confused emotions about his father passing, Peggy’s overbearing mother and kind of nasty sister, and Don’s lack of family provide our characters many dilemmas throughout “Flight 1.” Not only has that but it all happened at a time of an airplane crash one that provided much heart break and opportunity that helps push the characters and the story forward into new and interesting territory that helped kick off the character arcs of the season.

Let’s start with poor Pete who is clearly confused by the idea that his father has passed (due to the passing of Christopher Allport Weiner decided to write him off by putting him in the famous American Airlines crash), and not for reasons that seem obvious. Pete really doesn’t know how to feel about his father passing mostly because as we find out throughout the course of the episode (and as was shown to us briefly last season) that Pete’s father probably wasn’t the greatest person on earth and was probably terrible to Pete. So we get an episode of Pete struggling to find what to do which results in his epic quest in finding a sort of surrogate father figure. We saw this a little bit at the start of the first season with Pete trying to be better than Don but it never (in a wise form of course correction) really developed all that much. This time Pete is a little bit emotionally broken and confused and he’s looking for someone to fill the role that his father never did. Of course being kind of distraught and thrown of guard in his own right Don (more on that briefly) isn’t going to fill that role all that well (Don’s kind of bumbling almost confusion when Pete tells him his father died was a little bit of fun dark comedy) so off to Duck Pete heads near the end of the episode.

Of course Duck is out to get American Airlines after the crash seeing opportunity in the face of the recent tragedy. This causes Don vs. Duck volume two as Don with his new found sense of melancholy and loyalty (ain’t that ironic) wants to stick with the smaller Mohawk Airlines while Duck wants to chase the gold. It all leads to Don getting very grumpy and thus chasing the whole father figure for Pete thing out the window and at the same time getting a disappointed speech from the leader of Mohawk Airlines. Duck on the other hand doesn’t care about the loyalty factor, only looking for new opportunities when they arise, manages to court Pete into using his father’s death as an opportunity to get American Airlines. It’s a big move, one that will separate Pete from Don and play on Duck’s side. Duck one Draper nothing.

Peggy is also going through some family troubles of her own but for various different reasons. It was hinted at that Peggy was institutionalized a little bit after the surprise birth (her sister mentions it in passing) and so she has to visit her overbearing family once and a while. Her mother is very old fashioned stressing the church and demeaning Peggy’s lifestyle out in the city. It doesn’t help Peggy the more modern version of a woman to be in the 60s to deal with two people who are trying to institutionalize her (ie make her more like them) and make her more “old fashioned.”

The other part of the drama comes from the mysterious child that has popped up into Peggy’s sister’s arms. It seems that Peggy is hesitant around the child either because that’s her child, or the fact that after having a child she’s a little timid around them. The mystery continues as to what happened after the pregnancy but clearly Peggy is damaged in some way in her personal life that may take a lot of fixing in the episodes to come.

Finally we have Don Draper and his magical emotional problems. It seems that the death of Pete’s father hit Don heavier than it hit Pete, causing him to become very moody throughout the episode. He has a tense game of cards with Betty, Francine, and Carleton and has numerous arguments with Duck and the Roger. Don’s going through interesting times mentally and seems confused about where he is and what his identity is. He has certain values that he pretends to have for the moment and tries to act upon those while at the same time dealing with the world around him. Don is a little lost in his own skin and is starting to be baffled by the world around of them.

“Flight 1” begins to take the characters on the journey of the season providing different situations to help set up the strife and the emotional journey that will be felt along the way. It allows us to get into the head of the characters outside of Don and see how they are holding up in the ever changing landscape of the 1960s. The times they are a changing and it will only get more challenging character wise as the season goes on.

Some other Musings:

  • Joan doesn’t seem happy in her situation at all and she takes it out on poor Kinsey. Kinsey is trying to stay modern and even has an African American girlfriend who gets chewed out by Joan. Joan is angry and going through somewhat of a confidence crisis that isn’t helping the people around her, especially if she’s as nasty as she was to Kinsey throughout the episode.

  • Also it seems to be a fun gag but still poor Don’s secretary who keeps doing all the wrong things with a very irritable man.

Coming Up Next Week: “The Benefactor” where Don ditches work…. Again

That’s just me though. What did everyone else think?

Saturday, January 18, 2014

Mad Men Re-Watch 2014: Season 2 Ep. 1 “For those who Think Young” Let’s Twist again!



Everyone looking at Peggy's work on Mad Men
Photo Credit: AMC TV 

It’s re-watch time again! Throughout the next few months we will continue our look at Mad Men with its second season. Every Saturday It’ll be a Season 2 episode in the hot seat ready for tons of discussion. Without Further due let’s get right into the Mad Men Season 2 re-watch!

Some thoughts on Mad Men’s second Season premiere as soon as I find a place to put this new copier…

“Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern.”
-Mayakovsky from Meditations in an Emergency

So where were we? After a phenomenal debut season that has gone down in the books it’s time to pick off right where we left off right? We’ll get to see all the aftermath and consequences of all the big events that happened at the end of season 1 right? Don having to stitch up the family, Peggy deal with just giving up a child and the company with Duck should be main storylines to start the season right…

…Not so much as in a bold move Mathew Weiner decides to skip all of that in favor of a big time jump. Peggy is fine and back to work in her new position as jr. copywriter, Don and Betty seem to be in a good place marriage wise and Duck seems to have integrated well into the company so far (although his conversations with Roger and Don are amusingly tense). Instead “For those who Think Young” decides to reintroduce us back into this world at a more manageable time, when things are a little more normal yet tension is festering all over. Presumably we’ll get to what happened earlier later in the season (spoiler alert for newbies we do get to it) but for now we’re establishing newer and more important things for the future instead of picking up the pieces of the past.

The most important thing established in business wise in the premiere is the threat felt from the younger generation and the generation gap of the 1960’s. Duck wants younger copywriters to help satisfy some client’s needs for their ads to appear younger skewing. Of course this seems to hurt Don whose either afraid of the younger generation taking over or non trusting in anyone that’s not firmly under his wing. Throughout the episode Don is either talking about how he doesn’t trust the younger generation or the show is showing why Don doesn’t trust and at the same time feels threatened by the younger generation. Don is beginning for one reason or another to feel the pressure, something that he’s not comfortable with at this point in his career.

The other important idea established throughout the episode is how skin deep each character’s happiness is. Don and Betty seem to be fine at first, their relationship seems to be back to normal and Don is even taking her out to a grand hotel for Valentine’s Day. It all seems great on the surface but something is festering as Don can’t get up for sex, even when Betty is trying her absolute hardest. Don on the surface loves Betty with all his heart, but underneath there is something not there for Don. Same idea holds true for Betty who seems to be stuck in a rut both life and personality wise. She seems fascinated by the idea of her former friend being a call girl, trying to lift up and contemplate both the life she’s chosen in comparison to the life path taken by her friend. It all culminates into the wonderfully metaphorical car stall in which she tries and succeeds in using some sexuality and charm to lure the Esso operative to give in to her will and get her out of her rut.

Don and Betty aren’t the only ones in the only surface level happy boat though. We get only a brief dose of Joan’s personal life in this one but it seems that her relationship with Greg is happy on the surface (in her wonderfully flirtatious back and forth with Roger she implies that they are doing quite well) but in the brief glimpse that we get inside it seems that she’s more interested in Jackie Kennedy then she is Greg. Pete and Trudy are having baby troubles again and that continues to fester overtop of what seems to be, so far, a happy looking marriage (Ps love the dramatic irony in the brief conversation between Pete and Peggy in which he hints to her about his baby troubles, woops).

The final thing I want to touch on in the final mystery and Meditations in an Emergency. First of all the whole motif of Meditations in an Emergency could mean a few things, it could be Don’s attempt to connect with the young, it could be Don just being stubborn and attempting to prove the guy in the bar wrong about potentially not liking, but it could also have some other implications particularly after the passage from the poem Mayakovsky is read at the end of the episode. I think it could be a motif to represent where Don is at this particular place in time, he’s stuck feeling a little older a little detached from the life he’s living and the personality passage in Maykovsky and the modern book in general tires to show this. The final thing is who the mysterious person Don mailed the book to. It’s going to be interesting to see the development of who Don’s communicating with and how the life of Don Draper keeps on moving as this season progresses. (Some potential future spoilers for newbies: Meditations in an Emergency does come up in various places throughout the season so I’m going to keep an eye on how it ties in throughout the season and grasp of what the motif/symbol’s ultimate use and meaning is as it was something I never really paid attention to until I re-watched this episode)

Some other musings:

  • Poor Paul Kinsey who doesn’t apparently count as young and useful at all at Sterling Cooper. (Although I did like him telling Peggy that she doesn’t count when she told him how young she was)

  • If I had a problem with the episode it would be that the episode feels a little too obvious with its reintroductions to this world at times. Mathew Weiner has his small spots where he enjoys too much reminding the viewer that hey we’re in the 1960’s.

  • That being said I did like the nod to critics and fans in the physical Don takes at the beginning, when the doctor asks Don how many boos and cigarettes does he consume.

  • You can see the seeds of animosity between Don and Duck to form, they have a wonderfully tense conversation about needing the young people to come in. These are two egos that seem on a crash course and even at this point it seems that that crash is imminent.

Coming Up Next Saturday: “Flight 1” oh poor poor Pete…

That’s just me though. What did everyone else think?

Thursday, January 16, 2014

Mad Men Re-Watch 2014: The Intro


We're going back in time to revisit the world of Don Draper!
Photo Credit: AMC TV


So Welcome back to the Mad Men re-watch! For those unfamiliar with proceedings this is where we watch an older season of Mad Men together weekly. We’re on to season 2 of Mad Men now and here are how the proceedings are going to work:
  • The reviews will come out every Saturday either in the late morning or early afternoon depending on how the schedule works out (to make this happen I hope to write them a little earlier and auto post them so we’ll see how that works out). It’ll take a while to get through them and people can always watch ahead but it’s a digestible one hour a week making it easy to watch and read along.

  • Mad Men is available quite easily on both Canadian and American Netflix to stream so with a free intro month or an inexpensive payment you could watch the whole second season (and beyond). If Netflix isn’t an option the DVD’s are relatively inexpensive most going for either $9.99 or $14.99 depending on retailer. It’s easy to follow along inexpensively and for such an amazing show it’s very much worth the very small investment.

Finally, for those who haven’t watched the first season linked here are all my re-watch articles for season one which I wrote last summer:


That’s it for now! See you Saturday with an article on Season 2 Episode 1 “For Those Who Think Young” where twisting again is the name of the game!

Coming up in 2014



A Newsroom Photo because why not!
Photo Credit: HBO


Some News on what to expect from the blog in 2014 as soon as I dig up some New Year’s resolutions that I’ll forget by the end of the month…

Hey all just some brief announcements of what I have planned for the blog in 2014:

  • The first new thing that’s coming at the end of this week in fact is the continuation of the Mad Men re-watch. Since January is a really slow time for films I’m going to continue to go through Mad Men with season two every Saturday to help us get through the trudges of early year films. I’ll have a formal announcement that will include links to the first season’s re-watch articles coming either later today or sometime tomorrow. As for in the Summer I hope to do a first season of another show along with doing the Mad Men re-watches at the early points of the year. It’s like having your cake and eating it too!

  • The Oscars are only a short month and a half away and that mean the return of “Outpick Fred” at the Oscars. I will probably start the contest in the first week of February (so I have a better since of how the buzz shifts) with my picks and I hope to have a big turn out this year. In vague detail, the contest will work in the same way as last year, you have to beat me and everyone else to win the prize (I’ll figure out what it is when we get closer to it) I don’t think my picks will be as good this year so I’m pretty sure, with educated picks, someone can topple me this year.

  • Hey remember that top 50 films thing that I started but never have had a chance to really finish, yeah that’s still going to happen. I’m going to release the 34 films in a bi-weekly fashion every Monday and Thursday until they’re done. It sucks that the list has fallen on the wayside of my mind as I love writing about my favorite films and as we get closer it’s only going to get more so.

  • On the new movies side of things, as previously mentioned, the first part of the year is really slow and often the movies that do come out I’m not willing to throw down money to see and give them awful reviews (I Frankenstein is a glaring example of what that kind of film is). I’m still going to try to come out with reviews of new movies that are on the radar (Jack Ryan Shadow Recruit etc) and small gems that come out of Sundance early. I hope to have at least one new review every two weeks, give or take, but ultimately this is really time for me to recover from Oscar season and save up for the Summer so times will be a little slower.

  • Another way to combat the slowness of the start of the year is to go into detail on each of my ten films of 2013. I haven’t actually reviewed most of the films on my list sadly as most of them I saw in December and with exams and lots of movies it was sadly the busiest time of year. So starting this Tuesday I will be releasing some detailed, more TV like thoughts (which means less formality and spoilers) on each of my top 10 movies to fill the gap that has been present.

  • I’m going to be reviewing the onslaught of shows that have debuted on HBO on Sunday nights. I’m a week behind because of the Golden Globes last Sunday but I’ve seen both episodes of Girls and the episode of True Detective and I’m psyched to talk about them week to week starting this upcoming Sunday. Other than that I may have some comments for Community and Parks and Recreations one week if things are really great (which for both shows so far so good!) but after that I’ll consult my busy schedule.

  • I’m going to actually start writing a weekly column on Fridays as well called this week in movies. It’s going to hopefully start next Friday and will probably be the most inconsistent of these newer things depending on how busy I am and how much there is to talk about. We’ll see how it turns out but it’s something I really want to do.

  • Finally, as with it seems every year I’m going to try and find a new blog or at least reinvent this one. It’s been tough mostly because I’m indecisive on what road I want to take in this matter. I want something long term that I can continue to develop and hopefully gain readership. We’ll see where it goes and with the slow time for movies I’m hoping I can work this out soon.

That’s all from me for now! Hope this year is an awesome one!

Oscar Nominations 2014: The surprises and the snubs



 The Oscar Nominations are here!


Some brief point form thoughts on the Oscar Nominations just as soon as I forget about the Coens….

Let’s get right into the thoughts:

  • Let’s start with perhaps the biggest snub of the Nominations and that is Inside Llewyn Davis which got absolutely nothing (I think it got best sound mixing and that’s about it). I guess it’s the kind of Coen Brothers films that doesn’t get nominated, too quirky or something. The saddest of the snubs was Oscar Issac who should have had at least a best actor nomination. His performance was one of the best and most versatile of the year and it’s sad that it didn’t get a nomination.

  • On the other side of the card American Hustle got all the nominations ever. The cast managed to get a nomination in every category on top of the best director and best picture nominations. The most puzzling of the nominations were both Christian Bale who’s good in the film but isn’t nominations worthy in this year of great lead performances. I probably could have thought up a few actors this year that should have filled that role instead (Oscar Issac).

  • Another surprising complete snub was Saving Mr. Banks which seemed like an academy style film but ended up getting absolutely nothing. Not even an Emma Thompson nod who gets beat out by the seemingly invincible Meryl Streep who at this point can do just about anything and get nominated.

  • Speaking of sad snubs it seems that the academy likes Christian Bale better than Tom Hanks’ brilliant performance in Captain Phillips. It’s sad as the Oscars seem to love Captain Phillips as a whole (gets best picture nod and a best supporting actor nod) but no Tom Hanks nomination because why not.

  • For the first time in a while it seems that no one thought to nominate a Pixar film in the animated film category (so we can’t go with the pick Pixar rule) which is fine. I like most of the animated films nominated better than Monsters University (which I did enjoy more than the last two Pixar films) but it looks like an easy win for Frozen all around.

  • Final acting snub and perhaps the most surprising is James Gandolfini who seemed to have been forgotten about along the way. It’s sad because his performance in Enough Said was a really good swan song and it would have been nice to see him get at least a nomination.

  • On a happier note it’s great to see Before Midnight at least get a best adapted screenplay nomination. It’s sad that the film isn’t getting any more buzz because it came out early in the year but at least it pulled of a screenplay nomination.

That’s all for now, let’s start predicting who’s going to win!