A student's look into the world of cinema and all its elements.



Sunday, May 11, 2014

Mad Men “The Runaways” Review: Michael Ginsberg vs. the World



 Don enters a meeting on Mad Men
Photo Credit AMC TV


A review of tonight’s Mad Men as soon as I give you my nipple in a box…

“You think this is going to save you, don’t you?”
-Cutler

So computers make people insane correct? And poor Ginsberg, all he wanted to do was give Peggy a thank you gift and she utterly shut him down and resented him. Sure the gift was the nipple that he got taken off but still poor Ginsberg…

Okay anyhow back to “The Runaways” as a whole which was a wildly strange episode of Mad Men, sometimes for the better sometimes for the worse that ultimately built to an awesome final sequence. The episode was ultimately a chance to set things up, get the rest of the season in motion and move towards what seems to be a big final confrontation. “The Runaways” was ultimately a messy episode of Mad Men but one that had and set up many intriguing events.

Most of the set up in “The Runaways” focused around Don in one way or another. The most important of this set up involves Don’s role at Sterling Cooper and Partners as they begin to look to get back into the Tobacco scene. Don wrote the now infamous New York Times article that slammed the Tobacco industry and ultimately ended the firm’s relationship with the big Tobacco companies; thus if the firm were able to potentially land Commander Cigarettes Don would probably have to be let go. Of course the two driving forces behind the Tobacco deal were Lou and Jim Cutler, the two who want Don out of the company the absolute most. The two sneak around and have secret meetings in the computer dungeon (which poor Ginsberg misinterprets, more on that in a second) and try to get the deal through without much of a fight.

Of course Don has to find out somehow and how he does is strangely through an accidental trip to California. Stephanie, one of the relatives of Anna Draper calls Don lost and pregnant and Don sends her to Megan. Of course not knowing too much about Don’s dueling identities this causes Megan to worry about who this person is and how the heck Stephanie actually relates to Don. The whole sequence where Megan sends Stephanie away is one filled with a great sense of tension as Megan is worried about Don’s past life coming and haunting her and Stephanie is worried about the pledge she had given to Anna to stay out of Don’s life.
  
The uncertainty of Stephanie, the uneasiness of Megan and yet another 1960s party drive Don into being a little bit down and he ends up getting a drink with the very reluctant Harry Craine. The two end up conversing about the Tobacco situation (again with the wonderful awkwardness one can come to expect from two people who have worked together for a long time but never really got along) and thus we get the wrench in the Lou and Cutler plan. It leads to the spectacular final sequence where Don actually gets to be Don the super ad man again for the first time in what seems like forever to try and pitch himself back into a job, whether the company lands the Tobacco or not. It’s fantastic to see Jon Hamm get to play confident Don Draper again, and the final pitch that ended the episode was absolutely gangbusters, with another great cut from the last line to the music and the credits to end the episode (which saw Cutler at his most supervilain looking).

The rest of the episode I could take or leave. I don’t really care at all about the relationship between Betty and Henry, but when put through the eyes of Bobby it’s a little more interesting. Anytime we get sequences with Sally and Betty yelling back and forth and Sally and Bobby plotting to run away together it’s fantastic but other than that I couldn’t care less about where the Betty marriage ends up going in the end. Nothing about talking about Vietnam or Betty telling Henry that she isn’t dumb interests me too much and I felt that everything about that storyline that didn’t set up anything with Sally and Bobby fell a little bit flat.

The final and strangest of the storylines this week focused around Ginsberg. I’ve loved Ginsberg when he was used in small doses earlier in the season (including having the line of the episode for the last two episodes) and here, when he had more to do, the character worked most of time but felt a little too out there at others. The computer drives Ginsberg insane arc seems like a blow off for the character this season and as such I think it worked in some ways and went way too far in others. The worst of the out there part was that Weiner and company kept hammering the” computers are metaphors for our worst fears” idea way to far, making Ginsberg seem over the top wacky and a little on the nose. On the other hand though we get a really interesting look at Ginsberg as a human and his anxieties and feelings (especially for Peggy) in a ways in which we’ve never really gotten before. Ginsberg battling with his desires and the lengths he’s willing to go to do it (severing his nipple) are really curious and interesting from a character stand part I just wish it wasn’t washed up as much in the computer metaphors.

Finally we’ve only got two episodes left before this season is over until sometime next year. I’m really curious and almost concerned for how the next two episodes will feel plot wise considering Mad Men (even at this point) feels like a show that isn’t built for a seven episode stand alone half season. I’m not doubting the ability of Matthew Weiner at this point but I am questioning the decisions of AMC and the parties involved as it seems like this season is going to either end in a really strange feeling pace or move at a pace I may not be comfortable with for this show.

We shall see...

That’s just me though. What did everyone else think?

No comments:

Post a Comment