A student's look into the world of cinema and all its elements.



Thursday, March 21, 2013

Fred’s Top 50 Films: 45.12 Angry Men (1957)




 The 12 jurors in 12 Angry Men


“It's always difficult to keep personal prejudice out of a thing like this. And wherever you run into it, prejudice always obscures the truth. I don't really know what the truth is. I don't suppose anybody will ever really know. Nine of us now seem to feel that the defendant is innocent, but we're just gambling on probabilities - we may be wrong. We may be trying to let a guilty man go free, I don't know. Nobody really can. But we have a reasonable doubt, and that's something that's very valuable in our system. No jury can declare a man guilty unless it's sure.”
-Juror #8

The opinions of one vs. a group can be a stifling thing especially when the life of a young boy is in your hands. That is the dilemma of one uncertain Juror in the classic adaptation of 12 Angry Men a film that is evidence of the power of pure conversation in film. 12 Angry Men is a film that takes place almost entirely in one room with 12 jurors attempting to figure out the standing of a potential murderer. At first everyone feels that he is guilty but through the power of one voice everything can change.

12 Angry Men shows the power of dialogue in film. The film is one hundred percent relies on the power of the dialogue that the actors are delivering. The film is masterful at creating plot through the power of back and forth conversation. Not only that but each juror has a unique personality that gradually shines as the film continues to build. No character is a flat stereotype and each reveals their complexities overtime gradually adding layers as the plot adds layers. By the middle of the film it’s fantastic to watch 12 complicated characters add their own views and prejudices into the fray.

12 Angry Men is also a film that gradually tension as the film proceeds. There is a constant sense of urgency even with the only action being conversation. All of it reaches a final, emotional climax that reveals that even the most potentially prejudice of us all has a reason for it. That in the end it’s our emotions that ultimately get in the way of our true logical intentions.
-Frederick Cholowski
  

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