A student's look into the world of cinema and all its elements.



Thursday, March 28, 2013

Fred’s Top 50 Films: 38.Close Encounters of the Third Kind (1977)



 The Aliens have arrived in Close Encounters of the third Kind



“Have you recently had a close encounter?”
-David Laughlin

In the year of 1977 two great science fiction films were released; the first, George Lucas’ Star Wars is a grand space opera that is legendary for its effects and adventurous plot. The second Stephen Spielberg’s Close Encounters of the Third Kind is a simpler more grounded film but it also is a great film with fantastic characters and great uses of suspense and a great finale in which the aliens that the humans encounter are actually nice and playful. All these years, and re-cuts, later Close Encounters remains as fresh and fantastic as it ever was.

The first thing that stands out about Close Encounters is John Williams’ score. Unlike Star Wars Williams’ score in Close Encounters is quiet and atmospheric setting the tone of everything that is to come. Of course the biggest achievement of the score is the unforgettable five tone alien call that would resonate with viewers while. Everything that Close Encounters embodies is embedded in its score which is one of the great John Williams’ very best.

Combined the great score and great visuals present within Close Encounters are perhaps the greatest elements of the film. While the aliens are indeed friendly at the end of the film Spielberg doesn’t let the viewer know this until the very end of the film and provides a tense and unsettling atmosphere throughout the film that is as engaging as anything. This wouldn’t be achievable without some great characters in the film. 

Spielberg cast largely unknown actors who each provided relatable characters for the audience to latch on to. Each of the characters helps convey the tension and ultimately wondrous resolution that would follow in truly grand fashion. 

Close Encounters is just a film that few films are its likes are made anymore. It’s simple yet deep, familiar yet fresh. It provides the power of atmosphere and the beauty of old fashioned scores and visuals. They simply just don’t make them like this anymore.
-Frederick Cholowski

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